perm filename VP36[C3,LCS] blob
sn#454143 filedate 1979-07-06 generic text, type C, neo UTF8
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.BEGIN VERBATIM
Example 39. Bach, Chorale 6
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%6⊂⊗⊃L[α%0.00,α%-3.50](17,22):XXX39.PLT[C3,LCS]⊂⊗⊃%1
.SKIP 7
.BEGIN VERBATIM
Figure 39
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%6⊂⊗⊃L[α%0.00,α%-2.68](17,22):FIG39.PLT[C3,LCS]⊂⊗⊃%1
.SKIP 6
.FILL INDENT 12
I%4F7%1 is usually a pivot to a tonic on IV, hence Is=V%47%1 of IV.
Since VII%4F7%1 is often a substitute for V%47%1, then it follows that a
diminished chord can, under some circumstances, serve as Is even though
the tonic note itself is not present. In the next example, the D%4F%1
of the bass might have been replaced by C without altering the basic
functions of the harmonies.
.BEGIN VERBATIM
Example 40
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%6⊂⊗⊃L[α%0.00,α%-3.38](17,22):XXX40.PLT[C3,LCS]⊂⊗⊃%1
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Figure 40
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%6⊂⊗⊃L[α%0.00,α%-2.68](17,22):FIG40.PLT[C3,LCS]⊂⊗⊃%1
.skip 6
.FILL INDENT 12
Tonicization may occur without the presence of a pivot chord.
A direct chromatic relationship, such as the A to A%4S%1 of the following
example, usually rules out any pivotal function.
.BEGIN VERBATIM
Example 41. Bach, Chorale 85
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%6⊂⊗⊃L[α%0.00,α%-3.42](17,22):XXX41.PLT[C3,LCS]⊂⊗⊃%1
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.BEGIN VERBATIM
Figure 41
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The vertical wavy
line (%4W%1) will indicate
the absence of a
pivot chord.
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%6⊂⊗⊃L[α%0.00,α%-0.36](17,22):FIG41.PLT[C3,LCS]⊂⊗⊃%1
.SKIP 1
.FILL INDENT 12
In the above example and figure is a particularly clear case
of a chord (Vs in parentheses) which appears as the result of stepwise
motion and has only small functional significance. The skip in
the soprano from the E up to the B causes the entire measure to
be heard as a single function.